31 Pillory Street,
Nantwich. CW5 5BQ

Tel: 01270 611188

All work : Nick Potter [Biography]

Autumn Dusk

Acrylic on Board

Autumn Leaves Begin To Fall

Mixed Media on Board

Autumns Golden Light

Acrylic on Board

Cape

Acrylic on Board

Coastal Light

Mixed Media on Board

Constantine Surf

Mixed Media on Board

Croft And Moon

Acrylic on Board

Enchanted Forest

Acrylic on Board

Golden Leaves of Autumn

Mixed Media on Board

Golden Light

Mixed Media on Board

It Feels Like Autumn

Mixed Media on Board

Mawgan Porth

Acrylic on Board

Mellow Yellow

Mixed Media on Board

Ripe and Golden Season

Mixed Media on Board

Road To The Lake

Acrylic on Board

Ruin

Mixed Media on Board

Sand And Rocks

Mixed Media on Board

Spring Sunshine

Mixed Media on Board

Spring Unlocked

Mixed Media on Board

Stuck In The Middle

Mixed Media on Board

Sun, Sea And Sand

Mixed Media on Board

The Leaves Are Turning

Mixed Media on Board

Trevone Sunshine

Mixed Media on Board

Walk With Ella

Mixed Media on Board

Windy Autumn Woodland

Acrylic on Board

Messy Tide

Acrylic on Board

Stiffkey Marsh

Mixed Media on Board

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Take The Long Way Home

Acrylic on Board

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After The Storm

Acrylic on Board

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Along The River Bank

Acrylic on Board

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April Showers

Acrylic on Board

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Autmn Light ~

Mixed Media on Board

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Borders Farm

Mixed Media on Board

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Breezy Morning

Acrylic on Board

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Coastal Croft II

Acrylic on Board

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Coft With Wild Garden

Acrylic on Board

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Coft With Wild Meadow

Acrylic on Board

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Croft Cliff

Mixed Media on Board

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Delicious Autumn

Mixed Media on Board

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Early Snow

Mixed Media on Board

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Hidden Depths

Mixed Media on Board

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Into The Wood

Mixed Media on Board

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Iona Beach

Mixed Media on Board

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Island Farm

Mixed Media on Board

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Island Shore

Mixed Media on Board

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Lovers Lane

Mixed Media on Board

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Morning Cost

Mixed Media on Board

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October Gold

Mixed Media on Board

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On The Edge

Mixed Media on Board

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Private Beach

Acrylic on Board

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Red Roof And Foxgloves

Mixed Media on Board

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Sailing On The Loch

Mixed Media on Board

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Season of Red, Amber and Gold

Mixed Media on Board

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Shattered Lives

Mixed Media on Board

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Small Pond In The Woods

Mixed Media on Board

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Spring Blossom

Acrylic on Board

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Spring Forward

Acrylic on Board

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Sunlit Bay

Mixed Media on Board

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That Time of Year Again

Mixed Media on Board

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The Bathing House

Mixed Media on Board

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The Last Leaves

Acrylic on Board

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Towards Mull

Acrylic on Board

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Towards The Coming Winter

Mixed Media on Board

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Winter At Home

Mixed Media on Board

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Winter Solstice

Mixed Media on Board

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Woodland Reflections

Mixed Media on Board

Nick Potter

Nick Potter

In the early eighties Nick Potter moved to the beautiful village of Great Bowden in the heart of the Leicestershire countryside and his interest in landscape painting was fuelled by the beauty of his new homestead. It led to years of experimentation with different medias and subject matters, and during this period he discovered the vibrancy of acrylic inks, using them in a fashion like watercolour paints.

Nick began to show his work all over the country and within a short time he opened his own gallery, which had been a lifelong dream. The gallery showcased both his artwork and that of other craftspeople from all over the country. The experience gave him the encouragement he needed to explore and experiment further as a professional artist, and it led him on a path to produce a style of paintings that have become synonymous with his name.
Nick paints mainly in acrylics and acrylic inks, loving their versatility and quick- drying properties, but he also employs various mixed media techniques and textures, and is known for his variety of painting styles. Nick’s love of wild landscapes and seascapes fuels his desire to paint them, alongside his concerns regarding the pressures upon them in today’s environmentally unfriendly world.

Nick now lives yards from the sea in Embleton on the fantastic Northumberland coast, where he is inspired to paint every single day. He paints in his garden studio listening to Audio books, and often these are often unabridged and can last up to 17 hours. He is so attuned to this way of working that he cannot paint without them, and they are as much a part of the painting process as the paint or canvas.

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